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Graham WalkerThis is the website of Graham Walker, Dorset, UK who has had an interest in the early piano for over 30 years. He has undertaken the restoration of instruments for private collection and has also carried out research on early pianos and their makers over this period. This has been done alongside a career in management consultancy and performance management. Early retirement in 2007 enabled him to become more involved and he commissioned a cloth manufacturer to produce an authentic keyboard cloth. This cloth is the nearest match to an early 19th century piano cloth that can be made within modern manufacturing processes. It was initially produced for his requirements but it soon came in demand by others.  Further types of cloth have been replicated by request from makers and restorers.  These cloths can be purchased from the online shop on this website.  He has also undertaken some research into the leather used in early English pianos and is currently working in liaison with the Institute of Creative Leather Technology, Northampton University, UK with the objective of determining specifications. He is involved in supporting interest in the early piano and is passionate about ensuring that our heritage of early pianos collections in the UK can be maintained for the future.

Changing Keys: Keyboard Instruments for America, 1700–1830

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The Colonial Williamsburg Foundation, Virginia, United States is featuring an exhibition of keyboard instruments from the harpsichord to the pianoforte titled  “Changing Keys”.  This exhibition was opened on 22 November 2012 and will run until 7 September 2014.

Explore the evolution of spinets, harpsichords, and pianos in the 18th century in this exhibition of more than 25 instruments. Examine the differences in the various types of keyboards as well as the evolution of the instrument over time.

Keyboard instruments were an integral part of the cultural milieu of Virginia’s colonial and post-colonial period. The second known public performance on a piano in America took place at the Raleigh Tavern.

Featured instruments, ranging in date from 1700 to 1830, are drawn from Colonial Williamsburg’s significant collection of English keyboards. Many have never been exhibited before. Two reproductions are included so that they can be played for visitors. Models of detailed aspects of the keyboard allow visitors further insight into the workings of the instruments.

You can see a preview of the exhibition at: http://www.jrw1.com/web-jrw1/CK/gallery/

 

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